NEWS
DINING
CULTURE
MUSIC
FILM
CALENDAR
BEST OF
CLASSIFIED
PERSONALS
PROMOTIONS
WEB EXTRA
ESUBSCRIBE
ABOUT US
CAREERS
Love With Arthur Lee
May 1 at the Knitting Factory
BY WAYNE LEWIS

There are a just a handful of real L.A. bands, groups whose music has captured the specific craziness at the heart of this city in some essential way. It's fair to make this claim for Jane's Addiction, Guns N' Roses and X. And to many, the Doors were the quintessential L.A. band.

But the clued-in (including the Lizard King himself) have always known that Love was the original L.A. band. Forever Changes, their enduring classic from 1968, was folk-based, baroque and ominous, offering a "Bummer in the Summer" of Love and somehow managing to be beautiful and largely subdued while articulating the baddest of trips.

When "Love With Arthur Lee" is listed at an ultramodern hang like the Knitting Factory, it might be a little puzzling. Instead of relics faking it for some easy green, the audience will get the psychedelic blues of a newly freed man, maybe a minor historical event. In December 2001, Love frontman Arthur Lee ended an extended prison stay stemming from an incident involving a gun (of which many details are still in dispute). Lucky attendees of an unannounced Spaceland gig last month report that while the jailhouse rust may still seem fresh on his hands, today's Lee remains a performer of great power. This date is simply a must for the faithful of that other canon, in which Forever Changes holds its place. Opening with her poetry is Exene Cervenkova, once-and-again singer for one of those other L.A. icons.

newtimesla.com | originally published: April 25, 2002

- - - - - - - - - - - - - - - - - - - - - - - - - -