| There are
a just a handful of real L.A. bands, groups whose music
has captured the specific craziness at the heart of
this city in some essential way. It's fair to make this
claim for Jane's Addiction, Guns N' Roses and X. And
to many, the Doors were the quintessential L.A.
band.
But
the clued-in (including the Lizard King himself) have
always known that Love was the original L.A. band.
Forever Changes, their enduring classic from 1968,
was folk-based, baroque and ominous, offering a "Bummer
in the Summer" of Love and somehow managing to be
beautiful and largely subdued while articulating the
baddest of trips.
When "Love With Arthur Lee" is listed at an ultramodern
hang like the Knitting Factory, it might be a little
puzzling. Instead of relics faking it for some easy
green, the audience will get the psychedelic blues
of a newly freed man, maybe a minor historical event.
In December 2001, Love frontman Arthur Lee ended an
extended prison stay stemming from an incident involving
a gun (of which many details are still in dispute).
Lucky attendees of an unannounced Spaceland gig last
month report that while the jailhouse rust may still
seem fresh on his hands, today's Lee remains a performer
of great power. This date is simply a must for the
faithful of that other canon, in which Forever
Changes holds its place. Opening with her poetry
is Exene Cervenkova, once-and-again singer for one
of those other L.A. icons.
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