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The Flaming Lips
Yoshimi Battles the Pink Robots (Warner Bros. Records)
BY WAYNE LEWIS

There are few acceptable career arcs for a rock band, and they all end with "burn out" or "fade away." So punk-inspired psychedelic explorers the Flaming Lips confounded expectations about a decade and a half along their path by releasing the landmark Soft Bulletin in 1999. Instead of politely dissipating, they boldly merged classic pop with funky futurism and broke out of their niche as an influential but marginalized cult act (or, worse yet, a one-hit wonder thanks to 1993's "She Don't Use Jelly"). Mad scientist frontman Wayne Coyne and company deemphasized the electric guitar in favor of rich layers of keyboards, and appropriated dance beats via some heavy lo-fi drumming from Steven Drozd, trading up from ramshackle to sophisticated while preserving the randomness that makes their identity.

Which is to say that putting together a follow-up is a tall order, though on Yoshimi Battles the Pink Robots the Lips are up to the challenge. They've refined the Soft Bulletin aesthetic by scaling down slightly from that record's self-consciously epic and cinematic scope, but adding quirkier touches around the edges. There's even a bizarre left-field vamp, "Yoshimi Battles the Pink Robots Pt. 2," involving a happy-go-lucky descending fuzz-synth line like some deranged video game soundtrack punctuated by manic cymbal crashes and full-throated screams from guest Yoshimi P-We of Japanoisers the Boredoms. The effect is so perverse and primal that it instinctively raises something between a smile and a grimace with each listen.

Yoshimi mixes aphoristic contemplations and sci-fi narratives that range from the mundane or murky to the fun or insightful. The lyrics are ultimately saved from generic affirmation or unwitting self-parody by the Lips' combination of sincerity and playfulness. Of course, there's also the beauty of the material itself, which could probably stand at the demo level and still connect. "Fight Test" and "Yoshimi...Pt. 1" are simply undeniable upbeat pop songs, each equipped with a glorious chorus. They sit alongside trippy, pretty, midtempo mood pieces buoyed by Michael Ivins' hypermelodic bass and the emotion Coyne milks from his Neil Youngish whinny. As the Flaming Lips continue to take well-crafted songs and apply a sound both innovative and wholly accessible, they're showing that some rock 'n' roll rules don't always apply, maybe enough to convince us all that things can get better over time.

newtimesla.com | originally published: July 18, 2002

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